It’s been a week dear friends and my bones are feeling every hour of it. Most of it was spent traveling. Now I’d like to tell you that it was a fun little spring break trip, I’d really, really like to tell you that. Buttttt… it was a “quick” trip to take care of final business transferring our remaining South Dakota property.
We spent six of seven days traversing 2700 miles of misery known as “Interstate across the Great Plains States”. We battled scenic boredom, road fatigue, rain, sleet, snow, and 70 mph wind gusts. I ran out of spoons on day 2 and have been running on spoon deficit ever since.
Make no mistake, spoon deficit is real, and it’s ugly, sleep is no cure and the effects can stretch on for weeks or months. For me, it involves flu-like symptoms including muscle aches, joint pain, fever, chills, and a wracking cough that puts childhood croup to shame. Ahhh well, eventually my immune system will stop it’s current tantrum. In the meantime, I’ve put together a few bits of Public Art for Marsha’s PPAC. I loved Marsha’s review last week of “Women in Public Art” and thought I’d follow suit. So here are a few shots I’ve collected of women in public art.
Here a crappy shot of a piece of paper art from the Te Papa museum in Wellington, NZ. The poor focus is a result of incredibly brilliant lighting, smudgy glass overlay and a seriously old cell phone camera. My apologies but it still makes the point. I think my favorite is the first reason “working without the pressure of success.” 😉
Here “Lady Octopus” in Invercargill, NZ an interesting interpretation of feminine form. I have always found it fascinating that less than 11% of art in US museums comes from female artists, yet over 85% of human “nudes” art are female in form. Not sure if that’s a compliment to the divine feminine or just gender bias. Ah well, a topic for another post.
Here’s another interpretation of feminine form in the “Lady of the Woods” sculpture at Crater Lake, Oregon, US. Carved by Dr. Earl Russell Bush in October 1918. It took Dr. Bush just 11 days to create his homage to the beauty of the forest around him out of the huge volcanic boulder using tools he convinced a Corps of Engineers blacksmith to make for him. “This statue represents my offering to the forest, my interpretation of its awful stillness and repose, its beauty, fascination, and unseen life. A deep love of this virgin wilderness has fastened itself upon me and remains today. It seemed that I must leave something behind …. if it arouses thought in those who see it, I shall be amply repaid.”
And finally, “Dignity” a 50-foot tall stainless steel sculpture by Dale Claude Lamphere depicts an Indigenous woman in plains-style dress receiving a star quilt. According to Lamphere, “Dignity represents the courage, perseverance and wisdom of the Lakota and Dakota culture in South Dakota. My hope is that the sculpture might serve as a symbol of respect and promise for the future.”
Many thanks to Marsha for the challenge and her inspiration that got me off my spoonie butt today. And, even though it’s not Sunday, I’m gonna link up to Johnbo’s Cellpic Sunday since “Dignity” and “Women Artists” were both shot with various cell phones. 😉
Til next time ~Stay rooted in the ground but keep reaching for the stars ~JP